London Screenings 2017: which films stood out?

To kick start the week, we wanted to share an article that Screen Daily published last month…

Funny Cow made the Hot Pics:

“Titles which have excited buyers include Moviehouse’s Funny Cow, charting the rise of a female comedienne through the 1970’s and 1980’s industrial Northern England and starring Maxine Peake and Paddy Considine. Seven minutes of footage were shown of the film, which was pre-bought for the UK by eOne last year.” Link to the full article

The soundtrack to Funny Cow has been completed. Richard Hawley and Corinne Bailey Rae not only composed the soundtrack but they perform in the film.

Limited investment remains in one of the most intelligent investments of 2017.

A clip of the film is available to view to all interested investors.

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The Bromley Boys screening

The investors’ screening of The Bromley Boys arranged by Warrior Film Promotions on the nights of Wednesday the 10th and 17th were held at the glamorous Hospital Club in Covent Garden, Central London. It was a pleasure to be there for the evening along with such exciting guests as Bromley Boys’ director Steve Kelly (City Rats, The Shouting Men), producer TJ Herbert (e-luv, The Cutting Room), and actress Anna Danshina, who plays Anoushka in the film and whose other credits include the upcoming comedy You, Me & Him as well as several prominent stage rôles. Beginning the evening in the Hospital Club’s Bellini Bar, drinks were served to all, including beer, white wine, red wine, and soft drinks. After the guests had all been introduced to one another, it was time to move through to the club’s private cinema for the screening to get underway.

But first, producer TJ gave a brief introduction, explaining to all in attendance that what we were about to see wasn’t quite the finished version – “It’s about 85% complete,” in his words, “so by my mathematics that means the finished version should be about 15% better”. That bodes well, because what we were shown was pretty damned good, as it is. The picture, from Dave Roberts’ novel of the same name, claims to be “Based on true events…and some rumours”. It opens in the late 1960s, introducing us to Dave, capably played by young star Brenock O’Connor (Game of Thrones, Dickensian). Banned from supporting football by his perpetually disgruntled father (Alan Davies), his rather warmer mother (Martine McCutcheon) helps him to begin a life-long obsession with Bromley F.C., “The worst football team in Britain”. Along the way, he makes some friends for life, falls in love, and fibs his way into, and out of, a lot of trouble. Hilarious, surprisingly affecting, and boasting a cracking 60s-70s soundtrack, The Bromley Boys is sure to be a hit with anyone who’s ever been hopelessly in love, with football or with anything else.

After the screening was finished, and a few further brief words said by TJ, further refreshments were served back in the Bellini Bar, where the food coming round on trays included chili and garlic prawns and cleverly miniaturised versions of such classic dishes as fish and chips, Welsh rabbit, and burgers. There was a round of congratulations, questions, and general discussion, and some photos were taken to commemorate this memorable and highly successful night.

Three exceptional exciting completed films

We have three exceptional exciting completed films for investors to choose from. Funny Cow, The Bromely Boys and Milk & Honey.

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Why Film Investment?

Aside from the obvious excitement, glamour, variety, and sense of fulfilment that comes from investing in the UK film industry, the financial rewards are better than ever before, thanks to a number of investment schemes that make backing independent cinema relatively low-risk, but extremely rewarding.

Financial Benefits:

  • 30% – 50% Income Tax Breaks
  • Government Approved SEIS / EIS
  • No Income Tax to pay on Profits
  • No Capital Gains Tax
  • Shares Exempt from Inheritance Tax
  • Capital Gains Tax Deferral or 50% write off (if any outstanding or due)
  • *EIS investments – Shares must be held for 3 years to qualify
  • *Equity investments – returns over a 12 – 18 month period with premium attached before moving onto royalty payments

Other benefits:

  • Executive Producer Credits available to high level investors
  • Invitations to Premieres and Events
  • Opportunity to meet the crew on set
  • Warrior Film Promotions are proud to offer exclusive private screenings to our investors

Our aim is to talk you through all the options to enable you to be as fully informed as possible.

Email angela@warriorfilmpromotions.co.uk for more information.

Mad To Be Normal Screening

At Warrior Film Promotions, dealing with people from the film industry is only half the job. On the other side of the business, there are investors that we must take care to ensure remain involved. In particular, it is essential that investors understand how and where their money is being used, and are kept up to date on the production progress of their particular project.

 

To this end, Warrior set up a special screenings in Covent Garden’s Hospital Club. Since the British film industry is mostly centred in and around Soho, the members’ club is well-known in film circles as a place for meetings, screenings, and special events, down to the more informal – casual drinks, or food from the restaurant. For Warrior, it was the perfect venue to arrange a social event with investors, many of whom had expressed that they’d like to properly see where their money is going, with something more physical than an email or a phone call.

 

The event began at 6PM, with guests socialising over some nibbles and free drinks. Your correspondent can confirm that the red wine was a beautiful, mellow Negroamaro, which it was very easy to drink several glasses of. After some relaxed drinks and chat between investors and producers, we began our screening of Mad to Be Normal. Because the films our investors are currently involved with, such as You, Me and Him, The Bromley Boys, and Milk and Honey, are at various stages in their development cycle, they might not necessarily have had any tangible product to screen – You, Me and Him, for example, began shooting on Monday 31st. Nevertheless, Mad to Be Normal proved a good representative of the style, ethos, and high quality level common to the films represented by Warrior. It even shares with You, Me and Him its leading man David Tennant.

 

Mad to Be Normal is an account of the astonishing true story of controversial Scottish psychiatrist R.D. Laing, known for his classic work The Divided Self and for his five-year experiment at Kingsley Hall in the 1960s, which is the focus of the film. At Kingsley Hall no drugs were administered, and neither were some of the other more drastic treatments common at the time, such as ECT (which history has largely vindicated, albeit as a last resort) and lobotomy (which history has not). The patients and doctors lived together as equals, and no treatment at all was given to patients if they did not want it. The idea is plainly a radical one, but Mad to Be Normal never tries to glamourise its subject, instead offering a sympathetic, yet insightful view of the doctor, and bringing his professional and personal shortcomings into focus just as much as the more heroic aspects of his extraordinary life. With a career-best central performance by Tennant as well as strong support by such acclaimed actors as Gabriel Byrne and Michael Gambon, Mad to Be Normal was a winner with the audience, many of whom confessed to me afterwards that the picture moved them to tears.

 

Following the screening, the group retired to the private room for more drinks, as well as some delicious food – mushroom brioche, lamb squares, miniature burgers and prawn toast. By 11PM, which was the time the room was booked until, guests were thoroughly satisfied with the film, the food, the drinks, the conversation, and the wisdom of their investments.

 

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Mad To Be Normal Private Screening 13th October London

It was an incredibly successful night as Warrior clients got to view the Directors Cut of the film they have invested in.

The film’s Producer Peter Dunphy, together with the Warrior Film Promotions team; Jeff Clarke, Claire Lee and David Poole, along with Olivia Poulet, one of the film stars, socialised with clients in the upmarket Hospital Club in London’s Covent Garden.

The film was received extremely well by both investors and members of the press. So much so, that Warrior has now added a further date to accommodate the high level of interest. The exclusive Private Members Club frequented by all in the music, media and television business, is the perfect setting in which to host such an event.

The clients and invited guests were impressed; not only by the quality of the production, excellent script and authenticity of the story and character portrayal but also by the marketability of this film. This heightened interest augers well for investors as a film of this calibre is sure to generate pleasing returns for investors.

“Mad to be Normal” recounts the life of renowned Scottish Psychiatrist, R. D. Laing and his unique community at Kingsley Hall, East London, during the 1960’s.

One of the invited guests John Jolliffe, who knew R. D Laing by attending the groups he held at his house in Belsize Park, not only loved the film but Mr Jolliffe thought it was an excellent and accurate portrayal of Laing.

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The Benefits Of Film Investment

As an educated investor, you would have noted that despite our dire financial times the Film Industry has exhibited consistent growth and demand. Contrary to the expectation; that the increasing ease with which movies can be obtained on a number of digital forums; would lead to a decrease in ROI, the opposite has, in fact, occurred. The Film Industry Investment potential has far surpassed most traditional routes as it shows no consistent correlation to the volatile functioning of the Global Financial Markets.

The latest technological advances have meant that independent film makers are able to produce as high quality films as the larger, established companies. Their ROI is great and their production costs and overheads way less. This poses an excellent opportunity for a symbiotic relationship. They need your money and they will generate great ROI.

As with all investments there is an element of risk, but risk exposure can be greatly reduced through careful execution of thorough Due Diligence processes. It would be wise to watch trends and maybe concentrate on building a portfolio of successes so that you are seen as a successful investor.

Although Tax Relief is often one of the main reasons for investors to look at The Film Industry; it should not be the deciding factor, as any proof that this investment is a tax avoidance scheme could disqualify you as a potential investor. There are many other possible perks. Below are just a few:

You may be credited as a producer.
You may have a small part in the film.
You may be given production progress reports.
You may be able to visit the film set.
You may be listed on the movie data base.
You may be invited to the premier.

Please note that only once the film is released in Theatre or on DVD will ROI begin.

Brexit: Silver Lining?

Brexit: Could there be a silver lining for the UK Film Industry?

In recent weeks the glut of “Brexicity” debates seems to have pervaded every household, British or not. A nation in flux – some declare utter doom and gloom, others see it as being saved from external control.

Historically, Britain has a strong industrial history. Not only did Britain colonise the world, but at one time, anything of value, including the best film crews and many block busters emanated from the UK.

While we worry about the loss of funding to our UK film industry, perhaps all we need to do is change our viewpoint. Consider the initial stance of the US and Germany to a “GO VOTE”, and their turn around after the final referendum count! I believe, perhaps naively, that Brexit could possibly be the very chance we need to boost and grow our UK film and TV Industry and deliver the notable quality unique to the UK.

Perhaps this perceived void, left by EU investors, should be viewed as an astute opportunity for the US to benefit from direct investment in the UK. The US is a fast expanding base with many consortiums wishing to invest in the Independent Film Market and I believe that any UK film producer fearing a loss of EU funding as a result of Brexit, needs to seriously consider investigating a symbiotic relationship with such a group.

In my opinion, opportunity abounds for the UK film makers as they are no longer bound by EU constraints and could possibly model their industry to become the go-to environment for film makers. They have been given an opportunity to create their own very exciting future. They are also in a very strong position at present with regards to Tax incentive negotiations. If they could get government to adopt similar tax models to the state of Louisiana in the US, the tax credits would be just another magnet to possible investors. Brexit may have pushed us into a very exciting future.